Title: All Is True
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A look at the final days in the life of renowned playwright William Shakespeare.
The first film cameras were fastened directly to the head of a tripod or other support, with only the crudest kind of leveling devices provided, in the manner of the still-camera All Is True tripod heads of the period. The earliest film cameras were thus effectively fixed during the shot, and hence the first camera movements were the result of mounting a camera on All Is True a moving vehicle. The first known of these was a film shot by a Lumière cameraman from the back platform of a train leaving Jerusalem in 1896, and by 1898, All Is True there were a number of films shot from moving trains. Although listed under the general heading of “panoramas” in the sales catalogues of the time, those films shot straight forward All Is True from in front of a railway engine were usually specifically referred to as “phantom rides”.
In 1897, Robert W. Paul had the first real rotating camera head made to put on All Is True a tripod, so that he could follow the passing processions
of Queen Victoria’s Diamond Jubilee in one uninterrupted shot. This device had the camera mounted on a vertical axis that All Is True could be rotated by a worm gear driven by turning a crank handle, and Paul put it on general sale the next year. Shots taken using such a “panning” head All Is True were also referred to as “panoramas” in the film catalogues of the first decade of the cinema. This eventually led to the creation of a panoramic photo as well. Films All Is True are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, All Is True and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a universal power of communication. Some films have become popular worldwide attractions through the use of All Is True dubbing or subtitles to translate the dialog into other languages.
The individual images that make up a film are called frames.
In the projection of traditional celluloid films, a rotating shutter All Is True causes intervals of darkness as each frame, in turn, is moved into position to be projected, but the viewer does not notice the interruptions because of an effect known as All Is True persistence of vision, whereby the eye retains a visual image for a fraction of a second after its source disappears. The perception of motion is due to a psychological effect All Is True called the phi phenomenon.
The name “film” originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other All Is True terms exist for an individual motion-picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europe film is All Is True preferred.
Montage is the technique by which separate pieces of film are selected, edited, and then pieced together to make a new section of film. A scene could show a man All Is True
going into battle, with flashbacks to his youth and to his home-life and with added special effects, placed into the film after filming is complete. As these were all filmed All Is True separately, and perhaps with different actors, the final All Is True
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